B-MOVIE

B-Movie | Nowhere Girl | Some Bizzare | 1982

A-Side: Nowhere Girl
B-Side: Scare Some Life Into Me

Record label: Some Bizzare BZZ 8
Producer: Steve Brown

Released: 12/03/82
Purchased: 26/03/82

B-Movie | Nowhere Girl (Some Bizzare) 1982 | Haunting popsicle by newly-matured Mansfieldians, a revamped, meated-out version of their early Dead Good song, much more confident in all depts from bouncy keyboards and hunky harmonies to lavish production.

A neat. pleasantly rounded song that lives up to the mouthings-off from twin mentors Stevo and Rusty. At last, worthwhile bedfellows for Soft Cellers. (Sounds, 20/03/82)

Acceptable stuff from the Soft Cell stable. A bit like Duran Duran with flow instead of stomp – the acceptable face of futurism. (Record Mirror, 20/03/82)

B-Movie | Nowhere Girl | Some Bizzare | 1982
NME, 27/02/82

B-Movie plough much the same furrow with much less style or charm. “Nowhere Girl” sounds like a song which got written by default; the only idea that was hanging around at the time.

It starts off in finger-wagging reproof, telling this Nowhere Girl what’s wrong with her. By the chorus, it seems that what’s really wrong with her from the singer’s point of view is that she’s not having anything to do with him.

Bowie tackled this subject deftly in “What In The World”, with real sympathy for both the woman and himself. The sleeve image is also a bloodless cliche; a monochrome high-contrast shaded woman’s face. It’s a distilled ideal of beauty.

For all one knows, the actual model may be beautiful or she may not, but the idea of beauty here can be approximated using clever lighting and makeup on almost any woman. (The Face, May 1982)

B-Movie | Nowhere Girl | Some Bizzare | 1982

One of the most vapid and heartlessly plastic pieces of music it’s ever been my displeasure to hear. Glam dance pop lacking even the distinction of a melodramatic tune, this is an attempt to stray into an area that Duran Duran have already covered with a great deal more life and colour, and B-Movie had best back out of it with what little grace they may have left in reserve. Perfectly dreadful. (NME, 20/03/82)

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