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The Bluebells’ debut single “Forevermore” (B-side “Aim In Life”) was released on 22/10/82 but faced criticism for being overly produced and clichéd. The reviews highlight a lack of originality, comparing their sound to 1960s pop. Elvis Costello’s influence on the B-side showcased their potential, but legal issues stalled sales.
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Talk Talk’s single “Today” from June 21, 1982, achieved UK Top 20 status based solely on its musical merit, despite the band lacking a distinct image or prior reputation. Critics noted their desire for seriousness in the industry, although initial perceptions may have been influenced by comparisons to Duran Duran.
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“The Bitterest Pill (I ever had to swallow),” released by The Jam in September 1982, evokes nostalgic memories for the writer, who revisited the 45 after decades. Initially unimpressed, they now appreciate the song’s soulful sound and Weller’s captivating vocals. The track features ornate strings and a cover photo of Vaughn Toulouse.
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The 1981 stereo re-issue of Arthur Lee’s album “Love,” originally a 1967 West Coast classic, features tracks like “Stephanie Knows Who” and “Seven & Seven Is.” The album is celebrated for its innovative sound blending acid rock with airy elements. Side Two consists of a continuous jam track.
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The Jam’s album “The Gift” (Polydor POLD 5055), produced by Peter Wilson and released on 12 March 1982, showcases Paul Weller’s talent as a social commentator through engaging tracks encompassing various styles. While it retains the band’s identity, its broadened influences deliver a mixture of joy and earnest realism.
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The Jam’s debut album “In The City,” released on May 20, 1977, features a mix of punk energy and teen themes, highlighted by Paul Weller’s songwriting. With an impactful sound resembling early Who, it’s described as dancing music meant to be played loud. The band, known for their sharp appearance, has a unique style.
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The Cure | The Hanging Garden | (Fiction) 1982 | Clever idea – an open-out double single pack. One 7″ is a live version of what is probably the best known Cure track, ‘A Forest’ sounding as powerful as ever and conveying a controlled aggression.
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The single “Just Fade Away,” produced by Doug Bennett and released on March 20, 1981, features a compelling mix of gritty vocals and energetic instrumentals, achieving a direct pop sound. Praised as single of the week by Record Mirror, it is expected to perform well on the charts.
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The record features “Flowers In The Sky” and “In The Afternoon,” released on February 25, 1984, and purchased in April. With only 1,000 copies made, it’s a rare gem. Produced by Joseph Foster, it showcases a blend of psychedelic sounds, with contributions from Andrew Innes, Christine Wanless, and Dave Musker.
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The post details a music release of a single featuring “101 Dam-Nations” on the A-side and “What Is This Thing” on the B-side. Released on October 9, 1982, and purchased on December 29, 1982, it was produced by Tony Clark and Haydn Bendall under Parlophone R 6058. A link is provided for listening.
